Clara Martínez Malagelada

Barcelona, 1988

Graduated in Philosophy by the University of Granada, and graduated as Editor by the School of Cinematography and Audiovisuals of Madrid (ECAM). During her time as a student she combines, also, editing with cinematographic critics. Founder of Sala 1, Digital Cinema Magazine, which she creates in 2012. She has collaborated in several cinema publications, such as Caiman Cuadernos de Cine (Spain); or El Gran Vidrio (México); and participated as a member of the Selection Committee of the International Film Festival of Murcia, IBAFF. She collaborates as webmaster in Filmadrid, International Film Festival of Madrid.

Until now, she combines her work as an editor with her work as an assistant editor, both in documentary cinema as fiction cinema, as well as publicity. Co-editor of DENTRO (Facundo Tosso, 2016), along with Alejandro Lázaro; she has worked as editor assistant in the producer company Morena Films, in films like ALTAMIRA (Hugh Hudson, 2016), or THE OLIVE TREE (Icíar Bollaín, 2016). Likewise, she has worked as additional editor in CHILLIDA: LO PROFUNDO ES EL AIRE, of the Sevillian director Juan Barrero, released in San Sebastián Film Festival; as editor assistant of Mapa Pastor and Manuel Bauer in ZONA HOSTIL (Adolfo Martínez, 2017), in the producer company Tornasol Films; as co-editor with Alejandro Lázaro in MILAGROS (David Baute, 2017), documentary released in Málaga Cinema Film Festival; as assistant editor in TOC TOC (Vicente Villanueva, 2017), in producer company LA ZONA; as editor assistant and co-editor of Juan Barrero in 100 DÍAS DE SOLEDAD (José Díaz, 2017), produced by Wanda Films and at present in Netflix.

Recently she has worked as co-editor with Alejandro Lázaro in SIDE B (Ricardo Yebra, 2018), documentary released in Málaga Cinema Film Festival, as editor in STELL LIFE, documentary directed by Manuel Bauer, as editor assistant of Alejandro Lázaro in CUANDO DEJES DE QUERERME (Igor Legarreta, 2018), and as editor in the producer company Centuria Films editing the official trailers and teasers of Legarreta’s film.

This year she has edited SANMAO (Marta Arribas, Ana Pérez, 2019), a documentary produced by Ikiru Films, and has been additional editor in SANTACANA (Daniel Fernández Cañadas, 2019), produced by ISB tv. Actually, she is working as an assistant editor of Teresa Font in LOS ASESINATOS DE GOYA (Gerardo Herrero, 2019), and also as assistant editor of Teresa Font in DOOR Y GLORIA, of Pedro Almodóvar, produced by El Deseo.